© Le Pareti Sconnesse

Viale Brennero, 40 - 37124 Verona - Italia

T+39 333 208 2765

info@leparetisconnesse.com

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MOBILE RECORDING STUDIO

 

LIVE MOBILE AUDIO RECORDING WITHOUT ANY OVERWRITING AUDIO

Elina Ratiani
Oh Patria mia! (Verdi, Aida)
www.elinaratiani.com

Live mobile audio recording without any overwriting audio.

Palazzo Camozzini, Verona - Italy

September 2017

Elina Ratiani
Vissi d'arte (Puccini, Tosca)
www.elinaratiani.com

Live mobile audio recording without any overwriting audio.

Palazzo Camozzini, Verona - Italy

September 2017

Alessandro Bonato
Ouverture "Le Ebridi" op. 26

Filarmonica del Festival Pianistico Internazionale di Brescia e Bergamo.

Teatro Filarmonico di Verona

Genuary 2017

Alessandro Bonato
Mendelssohn sinfonia n. 3 "La Scozzese" op. 56 (mov. 1)

Filarmonica del Festival Pianistico Internazionale di Brescia e Bergamo.

Teatro Filarmonico di Verona

Genuary 2017

 

MOBILE STUDIO EQUIPMENT

BACKLINE (ON REQUEST)
  • 1 Piano Mezza Coda Yamaha C3 (186cm) - very well preparated

  • 1 Drum Gretsch “Brooklyn”

  • 1 Drum Yamaha “Stage Custom” - Maple

  • 1 Snare DW 14” – maple

  • 1 Snare Yamaha Steel”14”

  • 1 Ride Zildjian Costantinopole “Medium Thin Ride Low 22”

  • 1 Hi Hat Zildjian Costantinopole 14”

  • 1 Bass 4 Strings “Jazz Bass“

  • 1 Electric Guitar Gibson “SG”

  • 1 Electric Guitar Ibanez “Frank Gambale”

  • 1 Acoustic Guitar Normann “ST61”

  • 1 Guitar Amp Class A Tube Trace Elliot “Bonneville” – 1 x 12 Celestion Vintage

  • 1 Bass Amp: - Head Tube or Fet Mesaboogie “Basis M2000”

  • Cabinet 4 x 10 SWR “Goliath III”

 
MONITOR
  • Dynaudio Acoustics BM6A

  • Event Tuned Reference 6

  • Nexò PS15 (on request)

  • Hearback Personal Mixer Phones System

  • Phones: AKG K141 MK II - AKG K171 Studio MK II - Headphones Sennheiser

  • 6 Montarbo M1A (on request)

OUTBOARD (ON REQUEST)
  • 1 Universal Audio LA2A “Teletronix”

  • 1 Empirical Labs Distressor LX

  • 1 AMS-Neve 33610J Stereo Comp

  • 1 API 2500 Stereo Bus Comp

  • 1 Focusrite ISA 430 “Producer Pack”

  • 1 T.C. Electronic Digital Reverb “System 6000”

MICROPHONES
  • 2 mic. condenser Neumann M149 Tube - Multipolar

  • 1 mic. condenser Neumann KM180 - Cardioid

  • 2 mic. condenser DPA 4006C - Omni

  • 2 mic. condenser Shoeps MK-4 - Cardioid

  • 2 mic. condenser AKG C 414 B-ULS TL II - Multipolar

  • 2 mic. condenser Shure SM 81 - Cardioid

  • 1 mic. ribbon Coles 4038 - Supercardioid

  • 1 mic. ribbon Beyerdynamic M160 - Supercardioid

  • 1 mic. ribbon Beyerdynamic M130 - Bidirectional

  • 1 mic. dynamic AKG D112 - Cardioid

  • 2 mic. dynamic AKG D-224E - Cardioid

  • 4 mic. dynamic Electrovoice ND468 - Supercardioid

  • 1 mic. dynamic Bayerdynamics M69 TG -  Supercardioid

  • 3 mic. dynamic Shure SM 58 - Cardioid

  • 5 mic. dynamic Shure SM 57 - Cardioid 

  • 2 mic. dynamic Shure Beta 57 - Supercardioid 

  • 1 mic. dynamic Shure Beta 58 - Supercardioid 

ACOUSTIC SPACE
  • Wherever you prefer

MULTITRACKS / HARD DISC RECORDING

 

  • Avid Pro-Tools HD

  • RME Madiface XT (198ch via 3 streams MADI)

  • RME Fireface UFX (with DUREC for backup rec)

  • 24ch I/O A/D-D/A (SSL Alphalink AX via MADI)

  • Apple Mac Pro 6 Core  i7 - Full of Ram

  • Optional (on request): Registratore analogico 12 tracce a nastro magnetico Akai MG 14 D

  • 4ch mic pre GML 8304

  • 4ch mic pre Focusrite ISA 428 Variable Impedance Inputs

  • 16ch tube mic pre TL AUDIO Ivory PA 5001